Cynthia Spalding Dressage

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Cynthia Spalding Dressage Certified Dressage Riding Instructor Available for remote lessons. My students have been clamoring for a book on training. I would rather write about learning.

I have numbered them to help. Feel free to copy, print and save. And not have to pay anyone!

10/10/2026

new post going into the blog tonight.. you can read it here too without photos.

10/10/2026

#52 Who is your student?

Over the years I've been asked to share my "system". I don't have any more of a system than an artist painting his painting. Sure you have to know about the golden mean, the composition strategies and rules, and color mixing and values.
There are many ways of painting. Water colorists work differently than oil painters or those that work in acrylics. I compare those differences to different styles of riding.
So when I teach, I have to take into consideration their style..do they do eventing, open jumping, dressage, hunter, western? What are their goals? Are they looking for complete mastery to make their masterpiece, or are they looking to create a free form experience with their horse, or maybe just want to not fall off while trail riding?
We, as instructors, can not dictate a person's goals. We have to know what they are. Putting a Jazz bred big time mover in the hands of a person who takes every spook personally will not yield good results. Neither will it work to put an old style warmblood that needs CPR every step work for riders that need the same.
The most important lesson is to truly learn what the goals of your student are. Sometimes it is difficult, because riders often do not realize how much time and work it is to advance. The popular trend is to buy made horses for students to show and earn medals and scores with...but dressage means training, not buying.
Not everyone has the temperament to train though, which is why I am so disappointed in our USDF. There's no trainer's award, and all certifications for judging and teaching are based on show scores, with no regard to who trained the horse to what level.
I do believe that has led to a big gap in our sport. Judges and instructors that have never trained their winning horses. How can that be good for the discipline?
The reality is that you need to know who your student is. Some will work for decades to learn how to train, and others will spend big money to get into the show ring as fast as possible. Each has it's place, you just need to know which it is.
I have FEI riders that train and yet don't know a bot fly is not a bee. We need to be better at teaching horse husbandry. We need to teach people to be horsemen and women. It is not always our fault, if we just teach clinics at different places and people want to get the most riding for their money. It is so much easier if they board with you, or go through pony club to learn stable management.
In 60 years of teaching and training, I have had all types.. but MY type is the want to learn to train, to learn everything, the kind that reads every book I recommend. The kind that can train a 14.1 hand QH to a silver medal, and have a piaffe pronounced as the best he's seen by an Internationally recognized instructor.
You also need to know your instructor...and what training have they done...what training have they had and for how long?
Quality takes time...

09/10/2026
09/08/2026

#51 is up today.. Will put it in the blog with photos tonight.

09/08/2026

#51 Interspecies Communication

When I was 10 years old, I wanted to be either a tiger trainer, or an interpreter for the UN. I had an interest in languages and an interest in training animals. A UN interpreter had to be exact in his translations, and an animal trainer had to be exact as well or you could be mauled.
My interest in those seemingly totally different careers hinged on the need for exactness. Knowing the words in a language is only part of their meaning, the culture adds so much to what is being said. Knowing the culture makes the difference.
Interculture communication is not that much different than interspecies communication. I began to think of animal culture at a young age working with the exotics my father transported.
My father flew exotics from South America to the states and often they stayed over at our house before making the trip to the states. I spent time with all of them and learned that each species had their own interpretation of the world.
Each time I worked with an animal, I had to understand how they saw the world... what their culture was. Were they a predator, or a prey animal? Were they a mammal or an egg layer, warm blooded, or a reptile?
It was no different than people from different countries. Bull fights are revered in Latin cultures but considered abuse in the states. Some cultures enjoy dog or horse fights, or even eating dogs and horses. So, knowing the cultural norms of animals and people are important in making clear and concise communication.
When speaking to horses, their s*x matters. A stallion might decide your request is an invitation to fight or play, where as a mare might decide your request is unfair and complain about it. Horses follow the trusted one, not the strongest one. I think this is the main reason they let people ride them. When they lose their fear of us and begin to trust us, they comply easily. When the training is forcefully done and fear based, the horse might eventually give in, but trust is lost and you have a slave, not a partner.
The horse has muscles that allow him to move his skin at the slightest feel of a fly, and yet he will rub himself raw on a tree trunk. In training you must be the fly, not the tree.
Horse breeds have different cultures due to where they lived and what job they were bred to do. Race horses are a competive bunch, and draft horses are much more tolerant, which means they will feel an aid differently and respond differently.
When tiger trainers are in the ring they have a stick and a whip with long lash. The whip does not keep the cat away, the lash draws the cat forward... it is the stick that sends the cat away. It is a great example of adverse stimulus avoidance and targeting. The cat avoids the stick, and the cat targets the whip and comes to it.
I use both techniques when I train. When free lunging a horse, I want him to move away from the lash and put his nose on the handle of the whip to bring him on or stop him. This is the opposite of big cat training because the culture of a predator is just the opposite of that of a prey animal! Not that you couldn't teach a horse to target the lash and move away from the stick, but it would be against his nature, since his instinct is to run away, whereas a big cat's instinct is to attack!
So, in a sense, I have developed into a foreign interpreter, not for the UN, but for the horse and student.
Making a clear dialog with both students and horses has been my quest since 1958 and as our culture and the horse's cultures change we must adapt and change too!

I really love what he is saying.
08/18/2026

I really love what he is saying.

Brett Parbery and Nat Foxon dissect a different 'Parberyism' each week, a concept gleaned from Brett's decades at the top of the sport of dressage.

 #50 is here after a break to attend to my health issues! I will also upload it to the blog.
08/13/2026

#50 is here after a break to attend to my health issues! I will also upload it to the blog.

08/13/2026

# 50 Learning to Teach

In 1958 I had an excellent start as a rider from the Ecuadorian Military Police. I was competing by 1959 after intensive training. When I returned to the US, there were very few dressage riders in South Florida. I had no intention of being an instructor at first. I wanted to be a good rider, and that was it.
I started riding horses for people in my teens, and eventually I was asked to explain what I was doing when I rode. All my training had been in Spanish, so finding the right words in English was very difficult. I read lots of books in English to help me with the correct terminology, but it was not enough.
I learned to express myself with mental pictures and off beat descriptions of what I felt. To explain to riders the need to ride every stride, I could say "stir the gravy to get the lumps out " , or to convey the softness and throughness feeling I might say " he has to let your aids go into him like he is a marshmallow, not like an avocado... an avocado rolls away from your aids and remains the same shape, the marshmallow lets you change it's shape".
My riding has always focused on softening the horse's body. I might use restraint on the reins to get the horse's midsection moving, but I never used the reins to pull back. I would walk beside the horse and not allow the rider to pull the horse's head backwards by me holding the bit and keeping walking or trotting at a consistant speed. I called it head speed... and the head speed should always stay the same, and the hind end should speed up to engage.
I would run next to the rider and pull his leg off and on to show him about intermittent aids and to develop feel for the timing. Eventually I learned to long line the horse with the rider on board, and holding on to the long lines to feel what I was doing, and how the horse would respond to correct or incorrect aids. I could use the lunge whip to create the forward a rider might be to afraid to ask for, and control the horse from the long lines so no one got hurt.
I used to think that anyone could be a good rider, just like any horse can do dressage, just some better than others. But I kept failing to get riders to progress as fast as their horses. It occurred to me that controlling a horse is much easier than controlling yourself. Whether it is controlling your body or your mind - riding is about mastery of oneself.
I was now on a mission to learn about people. How they learned, how they handled information and concepts, how they handled fear of failure, whether it was fear of injury or embarrassment.
I read books on teaching.. teaching tennis, teaching piano, teaching martial arts, I learned about different learning styles. I discovered that I liked to teach with physical touch and mental imagery, which worked with the sensory riders. I experimented with a more academic approach with handouts and book chapters to read for the printed word learners. I used music to develop consistant tempo control and breathing for those that were auditory processors. I rode demos for those that learned visually.
I had my students do phycological tests to learn more about them; the Meyers Briggs, the Eneagram, the color tests, the Herman brain function tests...anything to learn how to teach them more effectively!
I studied anatomy of humans and equines to learn what body types would benefit from what system. People who were long waisted had different problems than short waisted riders. And men took a different approach than what would work for a woman.
It was after my back repair that I became a better communicator since I was not going to ride every horse at every clinic. I used my long lining skills still, but I had to find a way to, essentially, teach a feel using words. I developed even more mental pictures and strange descriptions. For example; squeaky toy hips to get people to let go and follow the horse, greasy arm pits to describe allowing the body to move through the arms, the exoskeleton idea of that support comes from all the outside muscles on your body - not the inside ones, the doggie door idea that your back and shoulders are the framework to hold a flexible doggie door of your hips that let the horse's back move through easily...until you firm up your hips and make the doggie door not move and the horse stops or slows down. I would say hold your hands Iike you have ice cream cones in them...don't drop the ice cream!
I would explain that on the bit is not leaning on the bit, and that it makes no sense to expect your delicate disks to "absorb" the horses movement when your huge ball and socket hip joints are better equipped to both allow movement to go through, or restrict movement by stilling and absorbing movement.
So, I taught for about 15 years or so for free just to learn how to do it. Safety was my first priority, and in my whole career, I have never had a student break anything during a lesson.
I taught pony club, Doctors wives, and trainers. I learned from everyone and I got better. Eventually I was traveling out of state to do 3 day clinics 50 weekends a year. Almost all of the clinics occurred because someone saw me ride. Once in a while it was from referrals. I taught for 30 years without a business card or any ads. It was totally word of mouth or seeing me ride.
I think my biggest draw was that I never had the perfect rider's body. I'm 5'1 and thickly built. I never looked the part and I think that gave many people the confidence to sign up. I have some students that have been with me for 40 years or so.
I have been lucky to have been able to find the kind of students that I can help. I have always tried to find the talent in my students for their benefit, not mine. And although they have been winners in the show ring, they realize that we do this for the benefit of the horse.. he is not our "equipment for winning"... he is our partner, our friend.
My achievement as an instructor was being named an outstanding instructor by the American Riding Instructor Certification Program.
My achievement as a rider is that people wanted to learn from me, and that my horses were always calm and supple partners.

Checkout the new post  # 49 That's not MY Instructor.... in my blog! You are sure to get a chuckle out if it!Cynthia Spa...
07/03/2026

Checkout the new post # 49 That's not MY Instructor.... in my blog! You are sure to get a chuckle out if it!

Cynthia Spalding Dressage Journey

Cynthia Spalding, a recognized expert in dressage riding, showing, training, and riding instruction, shares her insights from her 68 year journey of learning Dressage from horses and instructors.

I just uploaded number 48 to my blog.. Lessons I learned from my Parents.Cynthia Spalding Dressage Journey Cynthia Spald...
06/28/2026

I just uploaded number 48 to my blog.. Lessons I learned from my Parents.

Cynthia Spalding Dressage Journey

Cynthia Spalding Dressage Journey

Cynthia Spalding, a recognized expert in dressage riding, showing, training, and riding instruction, shares her insights from her 68 year journey of learning Dressage from horses and instructors.

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